My Uncle Johnny
Dramedy · Runtime 3:41 · Aspect Ratio 16:9 · 2025
Overview
What begins as a funny, tense conversation between a niece and her not so bright uncle slowly reveals something deeper: a young woman fighting to be recognized as the person she believes she already is.
My Uncle Johnny is a short film about family, ambition, gender, and the strange ache of being denied a place in the world you were born into.
Director Statement
The surface story is simple. A niece sits with her uncle and tries to convince him to help her enter the family business. But the real story is not in what they say. It is in the unseen family structure pressing down on them. Her father, who never appears in the film, is the real power in the room — or rather, outside the room. He is the older brother, the boss, the man who has decided what his daughter is allowed to become. His absence becomes a kind of presence. Every line between the niece and uncle is shaped by him. The niece sees herself clearly. She believes she belongs in the family business. She does not want protection. She wants recognition. She wants to be allowed to become the person she already feels herself to be. Her uncle Johnny, on the other hand, is not a gatekeeper by strength, but by proximity. He is clumsy, low-ranking, and slightly ridiculous — a man close enough to power to be useful, but not strong enough to challenge it.
That imbalance interested me. She is smarter than he is. More focused. More dangerous, perhaps. But because of the family hierarchy, she still has to ask him for access. The comedy and tragedy live in that contradiction. The car became the perfect container. It is intimate, trapped, and unstable. No one can fully move. No one can fully escape. The niece is trying to enter a larger world, but for now, she is stuck in the back seat, negotiating with the wrong man.
At its core, My Uncle Johnny is about the pain of being kept at the margins of your own family mythology — and the moment when someone decides they are done waiting for permission.
Credits
Starring
Vera Briseño
Max Ater
Directed by
Eliot Bu
Produced by
Eliot Bu
Cinematography by
Eliot Bu
Edited by
Sean McCarthy
Sound Design by
Sean McCarthy
Production Company
322films